tag:blogger.com,1999:blog-10257029508060597612024-02-08T02:50:39.868-08:00THE DUSTY TURNTABLEI'm lover, not a critic- a music lover, that is . . . these are my memoiryviews!JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.comBlogger15125tag:blogger.com,1999:blog-1025702950806059761.post-59583777612567284612014-11-28T13:45:00.001-08:002014-11-28T13:45:54.263-08:00www.dustyturntable.wordpress.comJimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-16884225957432434742014-05-19T14:24:00.002-07:002014-05-19T14:24:10.900-07:00<!--[if gte mso 9]><xml>
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170517 Richie Furay Band 70<sup>th</sup> Birthday
Celebration with Special Guest Rusty Young </div>
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and appearances by George Grantham -
South Orange Performing Arts Center in NJ</div>
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<br /></div>
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Got to the venue exactly on time; sat in my specially
selected mezzanine back row seat.<span style="mso-spacerun: yes;">
</span>Announcer came out, made a couple of comments, and then said: “Tonight
we’re going to upgrade one seat in the mezzanine to the front row- James
O’Donnell, come on down!”<span style="mso-spacerun: yes;"> </span>And so, for
two hours or so the only thing between me and Richie Furay was a microphone
stand.</div>
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<br /></div>
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The show was excellent, of course.<span style="mso-spacerun: yes;"> </span>Anyone who has ever been to a Furay show
knows he’s a great performer.<span style="mso-spacerun: yes;"> </span>His
singing, like his songwriting, is truly a work of craft.<span style="mso-spacerun: yes;"> </span>Some few may not be so crazy about his voice
(or so I’ve heard); those are probably the ones who need their art to be
straightforward and lack an affinity for the genuine- the ol’ tyme twinge of a
twang of a mountain tenor can be lost on a few unfortunate souls, I
suppose.<span style="mso-spacerun: yes;"> </span>They wouldn’t go for a song like
“Crazy Eyes” even before RF hits the high notes (“Crazy Love” on the other
hand... right up their poppy alley).<span style="mso-spacerun: yes;">
</span>Richie performs a show like a great entertainer imbued with enough
humility to keep him from going over the top in any way.<span style="mso-spacerun: yes;"> </span>He’s not “too much” of anything, even as he
is unmistakably original.<span style="mso-spacerun: yes;"> </span>His banter,
just enough of it, amuses and informs while reminding us that his pedigree and
caliber make him a bona fide Hall-of-Famer.<span style="mso-spacerun: yes;">
</span>The energy he puts into his performance shows a youthful heart, and the
joy of God shows in his playing.<span style="mso-spacerun: yes;"> </span>And he
looks great!<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
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Daughter Jesse Lynch opened the show with the band, tearing
through a few familiar rockers with ease and style.<span style="mso-spacerun: yes;"> </span>This is a family affair, and an efficient
show- no need to call in outsiders or let the house call in some locals.<span style="mso-spacerun: yes;"> </span>The next set was a rare treat indeed- former
band-mate Rusty Young came out for another preliminary set, singing (he’s been
doing that for a while now) and playing a few acoustic numbers with his
immaculate skill.<span style="mso-spacerun: yes;"> </span>Rusty is pretty funny
too, and he tells a story well; it’s hard to believe he’s the same skinny kid
who used to stay behind the scenes (and his steel) and let others have the
show, more or less (or so I imagine it- I missed a lot in those days).<span style="mso-spacerun: yes;"> </span>A nice surprise came in the form of a DVD
presentation for Richie’s 70<sup>th</sup> Birthday.<span style="mso-spacerun: yes;"> </span>A couple or few dozen music friends and
family offered up stories and well-wishes, and there were only one or two I
didn’t recognize.<span style="mso-spacerun: yes;"> </span>Jimmy Messina started
it off and then a virtual parade followed.<span style="mso-spacerun: yes;">
</span>I was especially gratified to see Al Perkins, a big fave for me (and
probably millions of others) and Chris Hillman (of course!) among the
presenters.<span style="mso-spacerun: yes;"> </span>It seemed like they got
everybody who’s anybody, even down to folks I had thought to be fairly obscure,
like Gabe Katona (the lady next to me in my front-row seat knew who he was,
though).<span style="mso-spacerun: yes;"> </span>And some extra video covered
the rest, like the old RF bands with John Mehler and Bill Batstone, reminding
us that it’s all a legacy and not phases to be passed over like some.</div>
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<br /></div>
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Rusty Young, largely the reason I ponied up and ponied over
(big bucks and long ride), joined the band for probably half the show.<span style="mso-spacerun: yes;"> </span>He came and went, adding his touches and his
presence in just the right measures.<span style="mso-spacerun: yes;"> </span>And
when George Grantham came out to add vocals to few songs, I figured this was
probably the closest I would ever come (and literally, considering my
unexpected good fortune) to a Poco reunion.<span style="mso-spacerun: yes;">
</span>Rusty did say that “there will be no more Poco albums,” which is not
surprising at this point really, although they do all show up at each others’
show every here and there.<span style="mso-spacerun: yes;"> </span>But I had
never heard of Rusty playing along with Richie at a show in this way, so I
forked it over and made the drive, forsaking all other considerations (like a
similar summit in Burlington Vermont with Twiddle and former
Bangsta-mates).<span style="mso-spacerun: yes;"> </span>And when I saw George’s
autograph on some posters (I don’t buy none o’ that stuff), I knew this was a
special event indeed.<span style="mso-spacerun: yes;"> </span>Toward the end of
the show, an even bigger surprise came in the form of ex-Turtle Mark Voorman, a
guy who played a big part in Richie’s early career by letting him crash at his
place for a while back in the day.<span style="mso-spacerun: yes;">
</span>Richie seemed touched by this surprise appearance.</div>
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<br /></div>
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I’m conflicted.<span style="mso-spacerun: yes;"> </span>Was
this show a once-and-once-only?<span style="mso-spacerun: yes;"> </span>I mean,
Richie’s on tour, Rusty is part of the package, George is probably at most
shows as he’s able; but it seems likely that the DVD is part of every show, and
what about Mark Voorman?<span style="mso-spacerun: yes;"> </span>Did they fly
him in just for this one appearance, and maybe George too for that matter?<span style="mso-spacerun: yes;"> </span>This is show business, after all.<span style="mso-spacerun: yes;"> </span>So how much is unique to this date and how
much of it is all just part of the show.<span style="mso-spacerun: yes;">
</span>Cause Richie seemed really touched.<span style="mso-spacerun: yes;">
</span>Much seemed singularly special.<span style="mso-spacerun: yes;">
</span>Richie is a man of God- we all know the story; that’s part of the deal;
I love that we’re in a day and age where we’re all more accepting of diversity
than back in the day when record deals and promotion (and appreciation)
depended on one’s category or classification.<span style="mso-spacerun: yes;">
</span>Well, they still do, but some are able to “rise above” all that.<span style="mso-spacerun: yes;"> </span>But... I’m left with a question of honesty
versus showmanship.<span style="mso-spacerun: yes;"> </span>In the end, though,
no matter:<span style="mso-spacerun: yes;"> </span>the experience I had was
singular for me; the performance was great and I had a great time.</div>
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<br /></div>
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The set-list ran through mostly older Poco songs and newer
RF songs.<span style="mso-spacerun: yes;"> </span>The last time I saw Richie was
a couple of years ago, at the Iron Horse in Northampton with my buddy Joe (the
‘other’ Joe, the ‘original’), and at that time they had just worked out Crazy
Eyes and added it to their shows.<span style="mso-spacerun: yes;"> </span>Scott
Sellen proved himself to be a fine musician and a good sport by switching back
and forth between guitar, banjo, and steel in all the right places as that
nine-minute monster of composition marched through its many changes.<span style="mso-spacerun: yes;"> </span>This time, he had an easier time of it,
thanks to Rusty.<span style="mso-spacerun: yes;"> </span>Tell ya what, though-
last time was more exciting!<span style="mso-spacerun: yes;"> </span>I think the
band was at that time charged-up to play this thing, no small accomplishment by
any stretch, and now they’ve grown used to it.<span style="mso-spacerun: yes;">
</span>That’s my story, anyway; and just a wee bit of an answer for those who
think I’m too positive.</div>
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<br /></div>
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Otherwise, the show was a great showcase for the star, his
songs and his voice.<span style="mso-spacerun: yes;"> </span>Being right up
front as I was, I could hear Richie’s guitar so clearly that I was reminded of
what a fine player he is.<span style="mso-spacerun: yes;"> </span>He performs
well, with reasonable antics and enthusiasm, but he plays real good too.<span style="mso-spacerun: yes;"> </span>His tones are clear and touching to the soul.<span style="mso-spacerun: yes;"> </span>His techniques are quite expert, I do
believe, and he displays them all comfortably, not making a big show of it
all.<span style="mso-spacerun: yes;"> </span>He plays with the ease and subdued
panache of an expert.<span style="mso-spacerun: yes;"> </span>Here’s an odd
comparison:<span style="mso-spacerun: yes;"> </span>Justin Hayward of the Moody Blues,
another gracefully aging gentleman, not usually classed among the Greatest or
Flashiest; but once we pay attention, we see that the skill is top-notch and
world-class.<span style="mso-spacerun: yes;"> </span>I know this because I see
it and I sense it and then I hear others, better judges than I, say it (and
print it).<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
A number of tunes were from an upcoming release, so there’s
a teaser.<span style="mso-spacerun: yes;"> </span>Something to look forward
too!<span style="mso-spacerun: yes;"> </span>In fact, I hung for a while after
the show, and waited for the marker-in-hand folks to do their business, and I
found my moment to approach Mr. Furay.<span style="mso-spacerun: yes;"> </span>I
shook his hand and suggested he come and play when I turn 70 -which he took to be
in 20 years, thank you very much- and then when I told him I’d been with him
since 1976 and his first solo album -from whence my interest in Poco went back,
but he’s still my “First Love” ... <span style="mso-spacerun: yes;"> </span>that
led him to mention the upcoming CD, so the moment of Real Love slipped away,
organically and comfortably.<span style="mso-spacerun: yes;"> </span>I expressed
my appreciation, and that’s about all I have.<span style="mso-spacerun: yes;">
</span></div>
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After I took off, it occurred to me that I hadn’t shook
Rusty’s hand; I would have liked to thank him for the years as well... ah well,
maybe next time.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-86018409355791201522014-05-17T08:35:00.001-07:002014-05-17T08:35:00.487-07:00<!--[if gte mso 9]><xml>
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140516b<span style="mso-tab-count: 1;"> </span>Wildcat
O’Halloran Largish Band at Amherst Pub</div>
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<br /></div>
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Wildcat told me he wanted me to see “this version” of the
band- I feel like Steve Martin when he got his name in the phone book: “I’m
Somebody!” Really, it’s hugely validating to have the attention and esteem of
an artist in this way, especially when the artist is one of such stature and
significance.<span style="mso-spacerun: yes;"> </span>Not sure just how
sarcastic I’m being here...<span style="mso-spacerun: yes;"> </span>Fact is, the
Cat has been doing what he’s been doing for decades; I first heard his name
back in the days when Ed Vadas and Tommy Whalen and so many others were cutting
their teeth at Sheehan’s and Rahar’s and so many other places- back before I
got drunk and married for twenty years and then got buried at work for even
longer.<span style="mso-spacerun: yes;"> </span>When I started coming out of my
shell a year or so ago, there was the Catman, running his Sunday Jams and
asking me, again and again every week, “What do you play?”<span style="mso-spacerun: yes;"> </span>The answer is nuthin’ and I don’t dance
either, but I do clap pretty good.<span style="mso-spacerun: yes;"> </span>So if
all’s I can do to participate is talk about it in print, after the fact,
well... we all have our parts to play and it’s hugely gratifying to have one’s contribution
noticed and maybe even valued.</div>
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<br /></div>
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So this ‘version’ of the Wildcat O’Halloran Band included
both harp and sax, or was at times doubly saxed, and a rhythm section of new
names for me, as well as another new man-crush on second guitar.<span style="mso-spacerun: yes;"> </span>As always, all these players are exceedingly
friendly, easily dispelling any of those stereotypes about snobby or even
too-busy musician-types.<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
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Doug Plavin, who I’m sure I’ve seen and heard around for a
good long while, played drums as expertly as any I’ve heard, with rock-solid
backing and perfectly placed percussive embellishments.<span style="mso-spacerun: yes;"> </span>And he bears the mark of a real professional
drummer:<span style="mso-spacerun: yes;"> </span>he gots no hair.<span style="mso-spacerun: yes;"> </span>Chris Ball almost looked like a slightly
younger Loverboy, Wildcat’s regular bass player, with a similar stance and
grip, and he played exactly as I’ve come to expect from anyone hanging with the
Cat- perfectly, with chops at the ready when called for and otherwise right in
the pocket, steady and solid and dependable.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Devin Griffiths was there- Yay!<span style="mso-spacerun: yes;"> </span>What a nice guy; who’s a-thunk his momma was
to raise a blues-man?<span style="mso-spacerun: yes;"> </span>Walking down the
street, you might think he’s a family man and a great Dad, maybe a creative
type, like a writer... and he is all of these, but you might not guess you’re
looking at a guitar-slinger, especially such a talented (and skilled) one.<span style="mso-spacerun: yes;"> </span>There might be an interview and feature in
the works here- Devin has kinda skirted the scene for some time now, but no one
beside Wildcat has been able to seduce, coerce, or otherwise drag him into it
with much visibility.<span style="mso-spacerun: yes;"> </span>Which is a shame
for the rest of us who are missing out, cuz Devin is a mighty fine player.<span style="mso-spacerun: yes;"> </span>First time he showed up at the Jam, my buddy
Joe was all like, “Ooh ooh- check this guy out, he’s really GOOD!”<span style="mso-spacerun: yes;"> </span>And what I see, with my limited powers of
observation, is a guy who looks kinda squeaky-clean and plays the same
way.<span style="mso-spacerun: yes;"> </span>His sounds are all really clear; no
muddy smearing going on here.<span style="mso-spacerun: yes;"> </span>It’s
really fun to watch- his solos are precise and sharp, full of quick notes
without shredding or overplaying at all.<span style="mso-spacerun: yes;">
</span>In fact, he’s a fully capable axe-man but he’s in a mostly supporting
role, so it goes without saying that showboating of any kind ain’t in the
mix.<span style="mso-spacerun: yes;"> </span>I couldn’t help but think of Glenn
Schwartz, the James Gang’s original guitarist (yes, before Joe walsh) who had
some success with Pacific Gas & Electric.<span style="mso-spacerun: yes;">
</span>Look that one up in your Funk & Wagnall’s... or Wikipedia.</div>
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<br /></div>
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The band sported two guests this time out, one young ‘n’
purty and the other, not so much.<span style="mso-spacerun: yes;"> </span>Emily
Duff, a recent Master’s in music grad, had the good fortune to make
acquaintance with Wildcat O’Halloran just in time to appear on his latest
album, “Party Up In Heaven,” and he’s been following her around ever
since.<span style="mso-spacerun: yes;"> </span>“Doctor Luscious” shows up at the
jam and every here & there, and now Uncle Wally Greaney is coaxing her
along as well.<span style="mso-spacerun: yes;"> </span>A graduate degree will
teach plenty I’m sure, but a piece o’ paper can’t instill chops- those come as
they will, and Emily looks to have ‘em.<span style="mso-spacerun: yes;">
</span>Of all the band members, she got the most attention from attendees
afterwards- yes, because of her playing!<span style="mso-spacerun: yes;">
</span>She gets some grit going even though she seems mild-mannered.<span style="mso-spacerun: yes;"> </span>Another pleasure to watch!</div>
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<br /></div>
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Which brings us to Mistah Wally Greaney, Sweet Daddy Cool
Breeze himself.<span style="mso-spacerun: yes;"> </span>You might know I can’t
go a day without mentioning Tommy Whalen, so here it is... Wally plays with
Tommy a lot.<span style="mso-spacerun: yes;"> </span>No wait, that ain’t
right.<span style="mso-spacerun: yes;"> </span>They play with each other
often.<span style="mso-spacerun: yes;"> </span>Hmmm.<span style="mso-spacerun: yes;"> </span>Wally is often the harp and sax player with
Tommy Whalen and the Ragged Edge.<span style="mso-spacerun: yes;">
</span>There.<span style="mso-spacerun: yes;"> </span>In fact, he’s about the
only guy around, maybe the only guy on the planet, good enough to be in Tommy’s
-or Wildcat’s- band.<span style="mso-spacerun: yes;"> </span>Wally also does the
Sweet Daddy Cool Breeze Band from time to time; any of these options is well
worth the watcher’s time and trouble to make the trip.<span style="mso-spacerun: yes;"> </span>The thing about Wally is he’s really a real
professional.<span style="mso-spacerun: yes;"> </span>He plays, he performs, he
entertains, all in balance as a contributor to the matters at hand.<span style="mso-spacerun: yes;"> </span>Whether it’s Tommy or Wildcat or another
guest slot, he takes his share of the floor without anywhere near taking
over.<span style="mso-spacerun: yes;"> </span>And Real Blues Harp is hard to
come by these days, especially with the finesse that Wally brings- and bring it
he do!</div>
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<br /></div>
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Having said all this, I guess I should mention that the
music is pretty good too, and the master of the proceedings is a whole lot of
fun as well.<span style="mso-spacerun: yes;"> </span>Wildcat O’Hallorn heads up
the pack with gusto and charm; he always manages to work in some humorous
anecdotes and he acts the gracious host as well.<span style="mso-spacerun: yes;"> </span>He plays real good too.<span style="mso-spacerun: yes;"> </span>You ain’t never heard a Telecaster sound like
this one; no twangy country here.<span style="mso-spacerun: yes;"> </span>It’s
partly in the build and muchly in the playing; he gots a lots o’ big, fat notes
and low, rolling rumbles coming out o’ that thing.<span style="mso-spacerun: yes;"> </span>Sometimes I think I hear Trower, strictly a
Strat man, in his pedigree, especially with those hammer-ons that he uses to
such great effect, but no- I’ve asked and Wildcat is all Wildcat with a long
line of tradition, mostly (or entirely) American, I do believe.<span style="mso-spacerun: yes;"> </span>I’ve seen him carry the show as a trio, I’ve
seen him lead the Suday Blues Jam, and now I’ve seen him at the helm of a
larger ensemble.<span style="mso-spacerun: yes;"> </span>He does it all well,
and there’s a lot else he does around the area too.<span style="mso-spacerun: yes;"> </span>I reckon the dude is worth keeping an eye on.</div>
JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-30586176452066759202014-05-16T15:58:00.001-07:002014-05-16T15:59:23.966-07:00Big Surprise of the Night for Thursday the 14th: a Girl Named Jenny!<br />
<br />
I had almost thought about ditching my plans for the night, as another Big Thing (in my world anyway) was happening up in Vermont, but I decided to stay with what for me was a priority. Gina Gunn had kinda promised she’d show up at Theodore’s to jam with Tommy Whalen, so I felt like I had (maybe just a little) orchestrated this little summit, so I wanted to follow through. Besides, whenever Tommy Whalen plays, the Jam is sure to flow. And I now know that the same holds true for Gina. Twice now, I have seen her become the transforming force in facilitating a shift from an OK jam to full dance floor. Tommy does that too, so together they’re like a double whammy.<br />
<br />
I had a whole bunch of really cool stuff written about this whole thing, but I hit a wrong button and... well, you know. Guess I’ll type on a Word Doc first from now on. Now I gotta get going. I got FOUR maybe even five places to be today/tonight.<br />
<br />
So late on in the jam, Tony Lee Thomas came on. He mostly played guitar, and when he sang I couldn’t quite hear his excellent voice, but I really wasn’t paying attention anyway (no offense I hope)... cuz while the band played, this lovely lady came from nowhere and stepped up to another mic and smiled a lot. She sang nice backing vocals too, but what we couldn’t help noticing was her presence. What a charmer! Take everything I’ve ever said about Hayley Jane, modify it for someone a wee bit younger and so just a bit timid, as if unsure about stepping up, and you’ve got this Jenny lady. I actually didn’t realize she was with Tony’s band- she looked like she was just having some fun with an available microphone. But as she smiled and sang and gave a bit of performance, I realized she was every bit as professional as the rest of ‘em- just so sweet and charming that we were taken by surprise. Is that what they mean by “beguiling?”JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-2525608646004752832014-05-16T15:56:00.003-07:002014-05-16T15:56:37.450-07:00<!--[if gte mso 9]><xml>
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150516a<span style="mso-tab-count: 1;"> </span>Return
to Keilbasa Fest<span style="mso-tab-count: 1;"> </span>Tony Lee Thomas <span style="mso-tab-count: 1;"> </span>Acoustic Set</div>
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Not only did I have a good experience gaining re-entry into
the Keibasa Festival today, with help from the very pleasant Carolyn of Wicked
Cool Productions, but once I hit the tent -just as Tony Lee Thomas was
starting- all my cares washed away...<span style="mso-spacerun: yes;"> </span>I
found myself falling into aNOTHER man-crush, yet again!<span style="mso-spacerun: yes;"> </span>I met Tony briefly the other day when he
played a little at Theodre’s jam, and Jenny sang some bgv’s.<span style="mso-spacerun: yes;"> </span>I soon discovered that he isn’t some kid who
just started dinking around- in fact, I feel kinda dopey; this guy has been at
it for awhile.<span style="mso-spacerun: yes;"> </span>I think I heard he’s been
playing in other areas, so I guess I kinda missed out for awhile, but now I’m
all over him... or something like that.<span style="mso-spacerun: yes;">
</span>He comes from Pittsfield MA originally, so local boy makes good I guess.</div>
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What a style this feller has!<span style="mso-spacerun: yes;"> </span>Like, If Cat Stevens had sung with reckless
abandon and played like Jimi Hendrix (in fact, he kinda looks like a young Tony
Marvici- which is to say, he looks a little like Carlos Santana); then update
the mix with an infusion of Tracy Chapman...<span style="mso-spacerun: yes;">
</span>we’re getting close to a comparison that almost fits Tony Lee
Thomas.<span style="mso-spacerun: yes;"> </span>Both his songs and his style
could be called “epic.”<span style="mso-spacerun: yes;"> </span>Even the artist
himself jokes about his “musical ADHD” as he segues from one song to another
for something like 20 minutes.<span style="mso-spacerun: yes;"> </span>And his
playing style is so aggressive that he broke no fewer than three -or was it
four- string during his hour-long set.<span style="mso-spacerun: yes;">
</span>He must be used it; I’ve never seen anyone change ‘em and tune ‘em so
fast!<span style="mso-spacerun: yes;"> </span>To say that he plays with enthusiasm,
even ebullience, is understating it.<span style="mso-spacerun: yes;"> </span>And
he smiles the whole time, so it ain’t contrived.</div>
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Not that there are many pauses in the playing with this guy,
but when he does take a minute for some banter, he’s really good at it.<span style="mso-spacerun: yes;"> </span>Musta took a tip from the Jeff King
playbook.<span style="mso-spacerun: yes;"> </span>Laced with humor,
self-deprecating and self-revealing (but not too much), one feels like we know
each other a little better now.<span style="mso-spacerun: yes;"> </span>He’s
just full of energy in his playing and full of positivity in his overall
manner, while and chatting after playing.<span style="mso-spacerun: yes;">
</span>Really, he looks like he’s having a spiritual experience when he
plays.<span style="mso-spacerun: yes;"> </span>He’s a lot of fun to watch.<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
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He’s easy on the ears, too, in the sense that you can hear
his lyrics.<span style="mso-spacerun: yes;"> </span>He sings clearly, in terms
of tone and diction, so I get the sense that he ‘knows how’ to sing.<span style="mso-spacerun: yes;"> </span>Not everyone does.<span style="mso-spacerun: yes;"> </span>Not that I really know the difference, but I
think I have a good sense of it and I’m learning more with help from friends.<span style="mso-spacerun: yes;"> </span>I woulda loved to turn him on to Mickey from
Twiddle, or vicey-versey; I think I see some common ground here.<span style="mso-spacerun: yes;"> </span>But whaddo I know?</div>
JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-35429028160112202542014-05-16T15:56:00.000-07:002014-05-16T15:56:16.430-07:00<!--[if gte mso 9]><xml>
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140515<span style="mso-tab-count: 1;"> </span>Double
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Two- The Munich Haus</div>
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Katelyn Richards, my ‘other’ current crush (according to
Eva- I think she’s just jealous) did a show at the Munich Haus in their
beautiful Beirgarten.<span style="mso-spacerun: yes;"> </span>I’m not sure how
much of a garden it is, but there’s plenty of beer for sure; and it’s a great
place to see live music.<span style="mso-spacerun: yes;"> </span>Everybody
oughtta play there; I couldn’t help but think how much I’d love to see any of
my many crushes play there.<span style="mso-spacerun: yes;"> </span>Well, OK,
one in particular.<span style="mso-spacerun: yes;"> </span>The place is only a
year or so old; it was clearly designed and built for this kind of use.<span style="mso-spacerun: yes;"> </span>The stage, neatly tucked into one corner,
with what looks to be plenty of space for more than just a duo or trio, is separately
lit and well-protected from the elements; large, sturdy umbrellas protected
onlookers from what rains came down as well.<span style="mso-spacerun: yes;">
</span></div>
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Katelyn’s CD Producer and drummer, Lincoln Hubley
accompanied with a nifty set-up consisting of a big kick drum and a bunch of
conga-type percussors, which he played with hands and sticks (both ends), plus
a couple of cymbals; and he sang both backing and lead vocals in all the right
places.<span style="mso-spacerun: yes;"> </span>Katelyn did quite a few songs
from her album “Have Yours Too” and I for one was really happy about that.<span style="mso-spacerun: yes;"> </span>The last times I had seen her, I was new to
the Soundaliciousness of it all; now I am well-versed (so to speak) in at least
a dozen of her songs.<span style="mso-spacerun: yes;"> </span>I’d heard
full-band versions at Theodore’s a couple of months ago; but with no earlier
exposure, I had no reference or expectation (not a bad thing).<span style="mso-spacerun: yes;"> </span>And a month or so ago, I heard a more
strictly folksinger set, with lots of dinner-crowd pleasers and a few originals
mixed in.<span style="mso-spacerun: yes;"> </span>So I wanted to hear what I
hoped would be a more ‘pure’ Katelyn set, and I think that’s pretty much what I
got.<span style="mso-spacerun: yes;"> </span>With a little Cat as well.</div>
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So, the acid test:<span style="mso-spacerun: yes;">
</span>Can a singer (any singer, really) do the songs live and make them work
as well as in recorded form?<span style="mso-spacerun: yes;">
</span>Answer:<span style="mso-spacerun: yes;"> </span>Katelyn can.<span style="mso-spacerun: yes;"> </span>Cue:<span style="mso-spacerun: yes;">
</span>sighs of relief (from me anyway).<span style="mso-spacerun: yes;">
</span>As sweet as Katelyn’s voice is on record, and as much depth and range as
she shows, are just as much in evidence in the live setting.<span style="mso-spacerun: yes;"> </span>The songs are not ‘exactly’ the same (don’t
be silly!) but any sentiment or expression-by-intonation is delivered just as
effectively when it’s just the singer and her guitar; and the drums help to
fill it out.<span style="mso-spacerun: yes;"> </span>(In fact, it seems to me
like a great answer to the age-old question of how to do the most with an
unplugged act- just think if Art Gurfunkel had carried a small drum set.)<span style="mso-spacerun: yes;"> </span></div>
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Wildcat O’Halloran showed up after a while.<span style="mso-spacerun: yes;"> </span>He threatened to via Facebook, so I was
prepared.<span style="mso-spacerun: yes;"> </span>Katelyn had him come up and
play “Crossroads” while she sang; that was pretty neat- it’s not the kind of
song you hear done with an acoustic guitar often.<span style="mso-spacerun: yes;"> </span>And it takes a good player, I reckon, to pull
it off.<span style="mso-spacerun: yes;"> </span>Not that this is in doubt as
regards the Cat.<span style="mso-spacerun: yes;"> </span>He did a couple songs
on his own next; skillful and entertaining as always.</div>
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Atmospheric songs, with those poetic lyrics and Katelyn’s
lovely voice, kinda smoky and kinda sultry, but so sweet you don’t dare think
like that, worked really well in this situation.<span style="mso-spacerun: yes;"> </span>I asked for what I REALLY wanted, and I got
it right away:<span style="mso-spacerun: yes;"> </span>“Around the Corner.”<span style="mso-spacerun: yes;"> </span>Chills.<span style="mso-spacerun: yes;">
</span>I love that song.<span style="mso-spacerun: yes;"> </span>I had to wait
to hear some others first; I was afraid it might not have the same effect- the
instrumentation, the arrangement, the vocal; and how it all mixes with the
poignant lyric...<span style="mso-spacerun: yes;"> </span>No, I was not to be
disappointed, and I can live free from fear, at least as far as Katelyn is
concerned and whether she’ll deliver live.<span style="mso-spacerun: yes;">
</span>She does.<span style="mso-spacerun: yes;"> </span>“Take Me With You, take
me with you....”</div>
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<br /></div>
JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-88591468527205910002014-05-16T15:55:00.001-07:002014-05-16T15:55:43.226-07:00<!--[if gte mso 9]><xml>
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140515a<span style="mso-tab-count: 1;"> </span>Double
Header with an Extra Inning<span style="mso-tab-count: 2;"> </span>Part
One- The Keilbasa Fest</div>
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<br /></div>
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Started the day with a double-dose of Jeff King.<span style="mso-spacerun: yes;"> </span>This is a good thing!<span style="mso-spacerun: yes;"> </span>He played an hour solo, then the ‘other’
stage played a polka band, and then Jeff and sister Melissa Carierra played another
hour.<span style="mso-spacerun: yes;"> </span>This is fun stuff.<span style="mso-spacerun: yes;"> </span>A man of many talents, skills and abilities,
when not playing bass if the Kings or with any of the many area jams and
assemblages, Jeff picks up his acoustic six-string and takes on the persona of
a country-tinged folk minstrel.<span style="mso-spacerun: yes;"> </span>He has a
profoundly capable voice, rooted in tradition and seemingly raised in the
hills.<span style="mso-spacerun: yes;"> </span>Adding his own treatments by way
of timing and arrangements becomes pleasantly surprising with such a solid
foundation as a starting place.<span style="mso-spacerun: yes;"> </span></div>
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<br /></div>
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Jeff sings a wide range of material from all eras, with his
originals interspersed, and every now and then there’s an inflection of
something older- something classic and classy.<span style="mso-spacerun: yes;">
</span>The Kingston Trio comes to mind, especially the latter-day baritone of
John Stewart.<span style="mso-spacerun: yes;"> </span>If some of this were
attempted by a kid who hadn’t quite learned to use his voice, it could get
messy.<span style="mso-spacerun: yes;"> </span>Not so here, though- this guy
sings with ease and authority.<span style="mso-spacerun: yes;"> </span>I’ve
heard he studied music, even as he’s been playing for, like, ever; I’d guess he
studied voice as well as theory and instruments like guitar and bass.</div>
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<br /></div>
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Speaking of voice, Sister Melissa has one- a beautiful voice
with great abilities.<span style="mso-spacerun: yes;"> </span>I’ve mentioned
before that she and Jeff did a “White Rabbit” at the Tap Room that nailed
it.<span style="mso-spacerun: yes;"> </span>Really, I’m not usually too crazy
about the acoustic-folk-duo thing,; it often gets all scraggly-sounding at
grates on the ears; but these two put my fears to rest right quick.<span style="mso-spacerun: yes;"> </span>In fact, the song “Wagon Wheel” is one I’m not
too crazy about (so shoot me), but I now have a standard of reference to help
me when I hear other people tear it up.<span style="mso-spacerun: yes;">
</span>And, of course, Nobody does “Bobby McGee” like dear ol’ Lynne Barsalou,
but if she ain’t around then Melissa runs a close second.</div>
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<br /></div>
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Melissa’s voice is so very sweet that it complements well
and she steps out just as well.<span style="mso-spacerun: yes;"> </span>And she
throws in a little of this quirky but effective rap –ish vocalizing every once
in a while, just to keep it that much more interesting.<span style="mso-spacerun: yes;"> </span>Jeff is pretty good with the between-songs
banter, too, suggesting years of experience beyond his youthful appearance and
manner.<span style="mso-spacerun: yes;"> </span>They make an entertaining show
together, and they can tailor it to a family audience and throw in some real
surprises- like a trio of songs from Grease (yes, John Travolta and Olivia
Newton-John)...<span style="mso-spacerun: yes;"> </span>“Tell Me More;” well,
OK.<span style="mso-spacerun: yes;"> </span>“The One That I Need;” surprise,
surprise- nicely done!<span style="mso-spacerun: yes;"> </span>And so it goes,
until they wrap it up with... get this:<span style="mso-spacerun: yes;">
</span>Gloria Gaynor’s “I Will Survive” done acoustic.<span style="mso-spacerun: yes;"> </span>He plays; she sings, and powerfully.<span style="mso-spacerun: yes;"> </span>They really do look like they’re enjoying
themselves.<span style="mso-spacerun: yes;"> </span>And did I mention Irish
music?<span style="mso-spacerun: yes;"> </span>They do that too, and really
well... especially at a Polish party!</div>
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<br /></div>
JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-9902539542415905612014-05-15T09:19:00.002-07:002014-05-15T09:19:18.458-07:00<!--[if gte mso 9]><xml>
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Big Surprise of the night for Thursday the 14th:<span style="mso-spacerun: yes;"> </span>A Girl Named Jenny!</div>
<div class="MsoNormal">
<br /></div>
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I had almost thought about ditching my plans for the night,
as another Big Thing (in my world anyway) was happening up in Vermont, but I
decided to stay with what for me was a priority.<span style="mso-spacerun: yes;"> </span>Gina Gunn had kinda promised she’d show up at
Theodore’s to jam with Tommy Whalen, so I felt like I had (maybe just a little)
orchestrated this little summit, so I wanted to follow through.<span style="mso-spacerun: yes;"> </span>Besides, whenever Tommy Whalen plays, the Jam
is sure to flow.<span style="mso-spacerun: yes;"> </span>And I now know that the
same holds true for Gina.<span style="mso-spacerun: yes;"> </span>Twice now, I
have seen her become the transforming force in facilitating a shift from an OK
jam to full dance floor.<span style="mso-spacerun: yes;"> </span>Tommy does that
too, so together they’re like a double whammy.</div>
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<br /></div>
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I had a whole bunch of really cool stuff written about this
whole thing, but I hit a wrong button and... well, you know.<span style="mso-spacerun: yes;"> </span>Guess I’ll type on a Word Doc first from now
on.<span style="mso-spacerun: yes;"> </span>Now I gotta get going.<span style="mso-spacerun: yes;"> </span>I got FOUR maybe even five places to be
today/tonight.</div>
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<br /></div>
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So late on in the jam, Tony Lee Thomas came on.<span style="mso-spacerun: yes;"> </span>He mostly played guitar, and when he sang I
couldn’t quite hear his excellent voice, but I really wasn’t paying attention
anyway (no offense I hope)... cuz while the band played, this lovely lady came
from nowhere and stepped up to another mic and smiled a lot.<span style="mso-spacerun: yes;"> </span>She sang nice backing vocals too, but what we
couldn’t help noticing was her presence.<span style="mso-spacerun: yes;">
</span>What a charmer!<span style="mso-spacerun: yes;"> </span>Take everything I’ve
ever said about Hayley Jane, modify it for someone a wee bit younger and so
just a bit timid, as if unsure about stepping up, and you’ve got this Jenny
lady.<span style="mso-spacerun: yes;"> </span>I actually didn’t realize she was
with Tony’s band- she looked like she was just having some fun with an
available microphone.<span style="mso-spacerun: yes;"> </span>But as she smiled
and sang and gave a bit of performance, I realized she was every bit as
professional as the rest of ‘em- just so sweet and charming that we were taken
by surprise.<span style="mso-spacerun: yes;"> </span>Is that what they mean by “beguiling?”</div>
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<br /></div>
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It turns out that the Tony Lee Thomas band is going to play
at the Keilbasa Fest in Chicopee right before Jeff King, so guess what... I
gotta go!!!</div>
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<br /></div>
JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-72875898354503109282014-05-13T07:35:00.001-07:002014-05-13T18:00:33.909-07:00<span class="userContent" data-ft="{"tn":"K"}">I
headed down to The Hungry Tiger Cafe and Restaurant without any clear
expectations, and half a thought to giving myself a break from this
little writing thing I do. It happened again anyway, though. Wherever <a data-hovercard="/ajax/hovercard/user.php?id=100000970140800" href="https://www.facebook.com/tommy.whalen.35">Tommy Whalen</a>
plays, the Jam is sure to go. The first pleasant surprise was seeing
Bob Laramie playing bass. He's my new man-crush; I might even have to
travel down to CT even when Tom is<span class="text_exposed_show">n't
playing, just to worship- I mean, watch Bob. Scroll down to "Liviu's
Invitational" for more; suffice it to say here that Bob Laramie is an
animal-by-surprise. He starts of all mild-mannered and mellow; in fact,
when you talk to him he's actually fairly soft-spoken; but when he
plays, he builds up steam. Moving through phases, or levels of
aggression, he morphs from Clark Kent to Super Monster on the bass.
Really, he might be the most amazing bass-man I've ever seen. If you
know Rudi Weeks, take his jazzy fluidity and punchy funk; and if you
know Pete Evangelista, take his animated and aggressive approach; and
mix these with the ease and authority of, say, John Entwistle. Multiply
by some factor greater than awesome and you begin to get an idea of Bob
Laramie. He's a lot of fun to watch. In fact, when Tommy did his
Strat-strut, walking it out-and-about around the house and serenading the populace
with his licks, I kept my eyes on Bob.<br /> <br /> The REALLY
unexpected treat for the night was a set from Gina Gunn. Tommy called
her up, saying something about her playing bass while singing, and along
came this blonde-haired, blues-ID'd Presence. She carries it, she
sings and plays it; she delivers a vocal and a performance that is
clearly Blues-Identified. None o' that new-fangled "neo-blues" stuff
here; this lady delivers the goods and sounds like she packs a pedigree
from the College of Blues and Boogie. So securely rooted is her
conviction that she has given her life over to playing blues music; she
left her home area to peddle her wares in Texas for a couple of years
before settling anew in the D.C. area. Now she plays around the D.C.
metro and Virginia area, while making trips up to Hartford/Springfield
for family, fun, and further opportunities. <br /> <br /> Gina play
rock-solid bass. She sings really well. She has stage presence. She
is the full package. Her choice of material was blues-based but
eclectic, which translates to entertaining and contributory to the
genre: she is not not just churning the stuff out, she is "keeping it
alive" by putting her spin on chestnuts like "Shaky Ground" (my new
fave!) and encouraging an interest in more from the listener. As Gina
continued her set, the lucky ones in the house got more and more
excited, 'most all were dancing through the set, and my road-mate, Terri
and I kept looking at each other like, "Holee Crapp- this lady is good.
She's REALLY good!!!" The way she handled Bob's beautiful hand-made
instrument was really fun to watch, too. Don'tcha just love it when an
artist is comfortable in their craft and handles the tools of their
trade with ease and authority, allowing them to play playfully? I know
the feeling of being in that zone; once in a while it come when I ski or
cook. I really love and respect (dare I say 'honor?') seeing others
enjoy their callings.<br /> <br /> This is why I love seeing Tommy Whalen
play. He carries that same artistry and craftmanship into his work. He
puts his spin on classics and spices the set with the occasional
original (Gina has those too, by the way), and interacts with the band
in a way that's both professional and fun to watch (Gina does that too,
by the way). When Bob cam back to finish the night with Tom, there was
no momentum lost along the way- in fact, they seemed that much more
fired up after Gina's contribution. This is why I say Tommy gots the
Jam- the energy follows him around. Those last few songs were downright
incendiary. Like I said to Bob later, just when I thought I'd been
amazed to full capacity, he raised it up another level. Same goes for
Tom. I only meant to dash off a few thoughts today, but look at me
rave! This is what they do to me... I'm a lover, not a critic- a music
lover, that is. <br /> <br /> I just had to try to sell Gina on the idea of
a visit to the Sunday CatJam- at the risk of poking my nose into other
folks' biz, sometimes you just see a match and ya gotta speak up.
Mostly, though, I just really wanted to share. I saw in her that which I
know Wildcat O'Halloran and the others up our way would appreciate, and
I had to do what I could to facilitate some small summit of sorts.
Gina was quite receptive to the idea of a trip to Northampton, so I
found myself telling her all about Tommy's 'residency' at the
Waterfront, and the Wednesday jam at Theodore's and all like that ...
not my business! Can't help it! "Stella! I coulda been a promotah!"</span></span>JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-52378945293016015632014-05-10T22:17:00.004-07:002014-05-12T06:28:40.362-07:00Got a nice taste of Eva Cappelli tonight. Couple o' sets at Whiskerz Pub in Easthampton, in suppport of the Easthampton High School Baseball Boosters Club<span class="userContent" data-ft="{"tn":"K"}"><a data-hovercard="/ajax/hovercard/page.php?id=1406676626263464" href="https://www.facebook.com/EHSbaseballbooster" id="js_21"></a></span>. Coach Dominic Kutylowski opened and joined the Watershops band for a few numbers too. It had been awhile since I'd seen Eva Cappelli with a full band, so this was a must for me. The first thing I heard when I walked was real loud and powerful: "Timber I'm falling" thundered through the place as Joe Carvalho's guitar twanged and Jeff Turcotte's drums drove the whole thing along. That's what you get with this band: a lot of powerful singing and driving instrumentation. Of course, when it's time to settle down and play nice, everybody's on board with that too- like the lovely Fleetwood Mac song they did later on (you don't see many covers in Eva's set-list.) Doug Pit joined for a few songs as well; and I do believe what we have in the works here is the definitive "House of the Rising Sun." Just wait till you hear Doug sing it with Joe's guitar building up and Jeff's powerful percussives holding it down. And when they did "Got My Mojo Workin'" I could see that they have all been spending a lot of time together. It's becoming a finely tuned operation, to insert Doug's set into the show at whatever point seems right that day. This breaks it up and provides a spell of familiarity when a bar crowd needs it, as Doug's material is classic -truly CLASSIC- and he delivers it in a singularly old-timey, classic way. After a break, Eva and the Watershops boys brought it home with a short set... just right! Got 'em up dancin' and left 'em hungry for more!!!JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-79002624620122588892014-05-10T09:23:00.002-07:002014-05-10T09:23:31.546-07:00<!--[if gte mso 9]><xml>
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</xml><![endif]-->The Phyllistines at Patti’s 410, Chicopee MA Friday 9 May
2014
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They call themselves “<span class="fsl">a dynamic mix of rock,
blues, country & funk cover and original songs,” and that seems an apt
description of Phyllis Lataille’s band with Ken Kucza on guitar and vocals,
Daryl Whitaker on bass and occasional vocals, and Barry Boccasile on
drums.<span style="mso-spacerun: yes;"> </span>I met Phyllis a while ago via my buddy
Joe; I’d seen her around a few times and she always seemed to remember me as
though we actually knew each other, so (not being one to shun anyone’s
attention or good vibes) I had been meaning to check her out (her music, I
mean) for some time now.<span style="mso-spacerun: yes;"> </span>And wherever
Phyllis goes, Mary is sure to accompany, so... bonus!</span></div>
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<span class="fsl">What we got for our showing up was a
pleasant surprise.<span style="mso-spacerun: yes;"> </span>For some reason, I
was expecting sort-of a slide-in-hand, local blues goddess type, but maybe with
a more ‘grizzled’ persona, kinda like Bonnie Raitt meets Joe Dulude... but this
was a much more pleasant mix than all of that!<span style="mso-spacerun: yes;">
</span>The ‘spread’ was across the decades, from the 60’s on up to fairly contemporary
material, all seasoned with the band’s particular flavor.<span style="mso-spacerun: yes;"> </span>Phyllis’s voice was much sweeter than would
work for an entire set of blues; in fact I found myself increasingly and
pleasantly enchanted by the way she fairly fearlessly embraced a wide range of
material.</span></div>
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<span class="fsl">For myself, even though I do enjoy the hell
out of it, I almost cringe whenever I hear a disco song pop up.<span style="mso-spacerun: yes;"> </span>Mind you, I’m OK with Talking Heads or
Blondie, and don’t they ‘meet up’ with disco by way of a funk beat and smooth,
silky instrumentation?<span style="mso-spacerun: yes;"> </span>But when the
Phyllistines started off their second set with MacArthur Park, I was like ‘OmiGod
what are they doing...’<span style="mso-spacerun: yes;"> </span>But, guess what,
they pulled it off.<span style="mso-spacerun: yes;"> </span>In fact, the band
really started to gel at this point.<span style="mso-spacerun: yes;"> </span>The
first set had that ‘garage-band feel,’ like they were loose and having fun while
kinda looking to each other to see what was gonna happen next, with the
material feeling more like adult-contemporary folkies having a go at some
fun.<span style="mso-spacerun: yes;"> </span>But when they whipped out the funk,
things got cooking.<span style="mso-spacerun: yes;"> </span>Phyllis’s voice <i style="mso-bidi-font-style: normal;">really</i> suited the song, Daryl had some
chances to throw in the plucks and slaps he clearly loves, Barry nailed it; he got
loose and percussive while holding it all down, and Ken pulled out his
slinkiest, shiniest playing yet.<span style="mso-spacerun: yes;"> </span></span></div>
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<span class="fsl">Mr. Kucza seems a rather quiet fellow, and I
can’t place where I first came by the idea that this guy is <i style="mso-bidi-font-style: normal;">good</i>, but so far I think I was
right.<span style="mso-spacerun: yes;"> </span>He might be one of those humble
professor types, or maybe a mad scientist is more like it, but he plays with a
lot of restraint.<span style="mso-spacerun: yes;"> </span>Ant time he takes a solo,
the listener is left wondering ‘what alse ya got?’<span style="mso-spacerun: yes;"> </span>He’s clearly a guy with more to offer than
can be captured in any one show, or band even.<span style="mso-spacerun: yes;">
</span>I believe he has at least one other outlet (who doesn’t, these days?),
Glenwood Mills.<span style="mso-spacerun: yes;"> </span>And so, we have a new
man-crush to follow... Sorry, Joey!</span></div>
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<span class="fsl">They also got a little louder.<span style="mso-spacerun: yes;"> </span>Patti’s 410 Lounge is right in the middle of
a bunch of residences- a real neighborhood bar- so, volume might be an
issue.<span style="mso-spacerun: yes;"> </span>The Phylllistines cranked it up
at this point, though, just enough.<span style="mso-spacerun: yes;"> </span>I
guess that’s how they struck me overall: Just Enough.<span style="mso-spacerun: yes;"> </span>A little of this, a little of that, all
played out with a sense of experimentation; mostly covers with a couple of
originals, and some guesting from a few attending musicians and even a whole
band (Time) at one point.<span style="mso-spacerun: yes;"> </span>All in all, it
had the feel of a jam session without being anything less than a showcase for
talent.</span></div>
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<![endif]--><br />JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-45659267608167779382014-05-10T07:06:00.002-07:002014-05-10T07:06:42.007-07:00<!--[if gte mso 9]><xml>
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Liviu’s Invitational - J’s Crab Shack, Hartford CT -
Thursday 08 May 14</div>
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with Liviu Pop and featuring Tommy Whalen and Bob Laramie</div>
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Tommy Whalen - Guitar and Most of
the Vocals</div>
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Bob Laramie - The Big Black
Beautiful Bass</div>
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Johnny Larsen - The Other White
Strat</div>
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Rick Handeville<span style="mso-spacerun: yes;"> </span>- JLarson's Strat</div>
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Mike Nigro - Congas / Percs</div>
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Steve & Neil- Horn Section</div>
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Johnny Russell - Harp</div>
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Liviu Pop - Drums</div>
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Upon walking into J’s Crab Shack in Hartford, my road-mate
and I were struck by the Energy.<span style="mso-spacerun: yes;"> </span>Of
course, we were unaware of Tommy Whalen’s ties to the other players, Bob
Laramie on bass, and Liviu Pop on drums.<span style="mso-spacerun: yes;">
</span>All we could see were smiles all around- the few dozen people in the
little garage-ish venue were already enthralled, and the three guys on stage
were clearly enjoying themselves.<span style="mso-spacerun: yes;"> </span>This
was pretty much Liviu’s gig, with his choice of guests (hence the name ‘invitational),
but we had no idea what was to come.<span style="mso-spacerun: yes;">
</span>Neither did the band, for that matter, and isn’t that all part of the
magic?<span style="mso-spacerun: yes;"> </span>We agreed later, it can’t be
contrived; the muse visits and the energy flows from unseen places.</div>
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Liviu was grinning ear-to-ear.<span style="mso-spacerun: yes;"> </span>No surprise there, that’s how he plays.<span style="mso-spacerun: yes;"> </span>It’s obvious the guy enjoys what he’s
doing.<span style="mso-spacerun: yes;"> </span>That spirit is infectious,
though; it spreads right to the other layers and they freely share it with the
rest of us.<span style="mso-spacerun: yes;"> </span>I had seen Liviu play with
Tommy Whalen and the Ragged Edge a few times at the Waterfront in Holyoke MA,
subbing for Ricky Marshall, so I had a good idea of the level of expertise that
could be expected.<span style="mso-spacerun: yes;"> </span>Rock-solid, perfectly
placed foundation with plenty of percussive flourishes abound, such that the
listener is never shocked but is often surprised by this drummer and his gifts.</div>
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Bob Laramie, though... another story.<span style="mso-spacerun: yes;"> </span>I had no previous exposure to this fellow,
and who knows why I expected a charming and competent contribution on bass...
silly me!<span style="mso-spacerun: yes;"> </span>He’s a monster!<span style="mso-spacerun: yes;"> </span>Not at first, mind you; he starts off being
as laid-back as any bass-man can be.<span style="mso-spacerun: yes;"> </span>But
within a few minutes, the word ‘fluidity’ impressed upon me and stayed with
me.<span style="mso-spacerun: yes;"> </span>Again, rock-solid as backing for the
band, but throwing all these little runs and flourishes, the dudes soon seemed nothing
short of amazing.<span style="mso-spacerun: yes;"> </span>As he got going, all
of that gave way to actual aggression on the instrument- this guy is an
animal!<span style="mso-spacerun: yes;"> </span>(And a gentleman.)<span style="mso-spacerun: yes;"> </span>I thought I had seen bass-as-lead such as
would never be duplicated when I saw Twiddle associates last weekend up in
Vermont, but this guy could surely give those young bucks a run!</div>
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All of the preceding took place within just a few songs;
mostly blues tracks with a couple of Tommy’s tunes, crossover faves from across
the decades; but the excitement was already building.<span style="mso-spacerun: yes;"> </span>When they invited Johnny Larsen up to play
guitar (another white Strat), I almost thought, “No, don’t spoil it,” but I’ve
seen Tommy enough times that I know to trust him.<span style="mso-spacerun: yes;"> </span>He loves to share the stage and the
spotlight, with no real fear that we might not like him so well after someone
else plays (a joke he made).<span style="mso-spacerun: yes;"> </span>The new
guy, clearly not new to anyone but me, was clearly top-notch.<span style="mso-spacerun: yes;"> </span>Of course, I learned later that he’s a local
hero and plays around a whole lot.<span style="mso-spacerun: yes;"> </span>As
the cast of characters continued to expand, I realized that we were on Tommy’s
old stomping grounds from his 20 years with Eight to the Bar, and so playing
anywhere in CT is apt to turn into a reunion.</div>
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Mike Niger, who I’ve seen a number of time at Black-Eyed
Sally’s, just down the road, and a few times up in Springfield at Theodore’s,
carried in his congas while Johnny was setting up, and the trio became a
five-piece.<span style="mso-spacerun: yes;"> </span>They both stayed on for most
of the first set, which took nothing away from the experience and only added to
the energy and excitement.<span style="mso-spacerun: yes;"> </span>Things were
really ramping up, and more folks were coming in the door.</div>
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We had a fairly full house and dancing down the middle aisle
through the second set.</div>
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Rick Handeville joined in with Johnny’s guitar for a few
songs, and we had a min-horn section for most of the show as Steve and Neil
came in with their Sax and Trumpet, and when Johnny Russel jumped up to play
harp, it was no less than a nonette in the house!<span style="mso-spacerun: yes;"> </span>Couldn’t even fit ‘em all on stage; the horns
and congas were out in front, with dancers deftly doing steps all ‘round
‘em.<span style="mso-spacerun: yes;"> </span></div>
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Rick’s guitar style held some intrigue for me.<span style="mso-spacerun: yes;"> </span>Not unlike Mr. Laramie, he started off all
mild-mannered and built up to a couple on crescendos, but in the in-between he
played with a subdued and sophisticated style that rather reminded me of Steely
Dan’s Walter Becker, the guy who quietly shifted from bass to guitar and slowly
came up to a level of playing comparable (arguably, perhaps) with not just
Denny Dias and Skunk Baxter, but Larry Carlton, Steve Khan, and the host of
other highly technical L.A. jazzers.<span style="mso-spacerun: yes;"> </span>As
with Becker, this Handeville fellow played with a plunky, blues-inflected
manner full of fat, round notes and clean, sharp Motown-type gusty rhythms.<span style="mso-spacerun: yes;"> </span>I checked with him on this point, and it seemed
to talk Dan to him- a favorable comparison, to be sure.</div>
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After a rousing, funk-inflected Lowdown (the Boz Scaggs
great), the band settled into the last leg of the night.<span style="mso-spacerun: yes;"> </span>Not many folks were sitting; not much
stillness could be seen anywhere in the house for that last hour or so, and (of
course) the band played past their appointed time.<span style="mso-spacerun: yes;"> </span>How could they not?<span style="mso-spacerun: yes;"> </span>Joe and Enza, the owners of this nifty little
joint, were enjoying the scene as much as anyone else.<span style="mso-spacerun: yes;"> </span>They reported that, while they have some fine
nights in their sea-shore styled Crab Shack, this one stood out.<span style="mso-spacerun: yes;"> </span>It was a magical night indeed, one of those
when the planets are in alignment and the strings are all tuned perfectly; the
moods are matched and the vibe is right.<span style="mso-spacerun: yes;">
</span>They don’t happen every time, but they do seem to come more often than
not when Mr. Tommy Whalen is involved.<span style="mso-spacerun: yes;">
</span>Even Tuesdays get all fired up at the Waterfront in Holyoke; it’s like a
weekend in the middle of the week!</div>
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This Thursday thing could not have gone down the same any
other way.<span style="mso-spacerun: yes;"> </span>It had to be right here,
right now, in this particular place and time.<span style="mso-spacerun: yes;">
</span>And the location, provided by Joe and Enza, was a big part of the magic.<span style="mso-spacerun: yes;"> </span>When I first walked in, I feared for the
audio experience- the stage is all way at the back of a long, rectangular room
with a garage door right behind the band, and the musicians surrounded by
cement and cinderblocks.<span style="mso-spacerun: yes;"> </span>I expected a
harsh, overly loud sound.<span style="mso-spacerun: yes;"> </span>It was loud no
doubt, but the good kind.<span style="mso-spacerun: yes;"> </span>It was easy to
distinguish each instrument; all was crystal clear- good thing, as these guys
are all so good to hear.<span style="mso-spacerun: yes;"> </span></div>
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The Crab Shack itself is a most interesting place, retaining
just enough of a seaside feel to ring authentic, but not so much as put off the
landlubbers.<span style="mso-spacerun: yes;"> </span>The décor is likewise, and
the menu is exactly what you’d expect- reasonable prices and all.<span style="mso-spacerun: yes;"> </span>The building is divided up into distinct
sections, with a fish market, seafood stand and seating, and a bar at the far
end.<span style="mso-spacerun: yes;"> </span>All of this looks to have been a
car repair facility in the past, so how fitting to bring in a twenty-first
century blues-based garage band!<span style="mso-spacerun: yes;"> </span>There’s
even a separate game room with a pool table, behind glass doors so all can be
seen and heard without interfering.<span style="mso-spacerun: yes;"> </span>Not
that this looks to have been fore-ordained; rather the owners had the good
sense to make good use of what they had to work with.<span style="mso-spacerun: yes;"> </span>Gotta love that- gotta love it all!</div>
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My “road-mate” and I had the best non-date of our lives!!!</div>
JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-27496950162375617872014-05-08T22:16:00.002-07:002014-05-08T22:17:38.857-07:00It's after 9 pm... do you know where your chillin's be? <br />
All y'all wherever ya be it ain't here ya po' souls, cuz it be a ragin' pah-tay all up in hea' with Tommy Whalen and a cast o' freakin' thousands at J's Crab Shack in Hahtfahd y'all, I kid ya not! Check Mary's pho-toes later on and hit me up for the longer version cuz right now I ain't got time for all that, I got me some dancin' ta do!!! (OK that's a lie....) We got some Liviu Pop, we got some Bob Laramie, and we us got a whole mess o' hugely talented individuals... I tol' Tommy tonight hell wit him, I was just gonna follow him around to get a whiff o' the massive talent he hangs with- wherever Tommy Whalen goes, the jam is sure to follow...<br />
<br />
Tommy had a big ol' jam<br />
His Strat was white as snow<br />
And everywhere that Tommy went<br />
The Jam was sure to go<br />
It followed him to school one day<br />
They done broke all the rules<br />
It made the kiddies laugh and say<br />
"That boy he plays so cool!"<br />
The strains of blues and rock & roll<br />
Did raise their spirits high<br />
And mellow songs sung nice & low<br />
Did make the chicas cry<br />
Why do we love ol' Tommy so?<br />
The many fans all know<br />
The sense of fun and fellowship<br />
And friendship makes us glow!<br />
<br />
OK, we're getting pretty silly here. It's the buzz from the vibe.<br />
I'll have a serious go at a real 'article' for submission tomorrow.JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-20990468949274006272014-05-08T06:59:00.000-07:002014-05-08T07:27:37.168-07:00For some reason, I woke up thinking about Desperate Housewives and how that show ended...<br />
So sad, so heart-wrenching, and so poignant. And there it is: "poignant" is exactly the word that comes to mind and suits the purpose, but do I really know what it means, beyond 'deeply touching?' So... open a Word doc, type 'poignant' then shift/F7 and... it also means tender, expressive, moving. Granted there aren't any words in the list that are positive per se, but they are more neutral than negative. Like life. That obscure feeling that is "poignant" is just FEELING, albeit neutral or slightly less. Ever feel sad and somehow glad at the same time? Like, just happy to be alive and feel something, anything? And if that feeling has an element of unpleasantness, it's OK because it's all part of life and living? That's acceptance, I think. It's like grief, and knowing a thing is not what we want but knowing it won't change; and right here, right now, I am authentic and real and raw... RAW baby, and all that goes with that... hurting now, hurt from past stuff, but stepping through the next whatever tentatively, with heightened senses, so that I act in such a way as to bring no further harm to myself or any other, if at all possible. That's a "poignant" state of being, I suppose, and it cannot continue indefinitely- I said 'tentative,' right? That's no way to LIVE... but for now, it's alive and feeling. Not at all like the movie "Terms of Endearment" and how that ended - I remember I felt taken advantage of, like the whole thing was a set-up to exploit my emotions... Maybe the other was just a TV show, but it had times of poignancy, feeling, which seemed genuine. Gotta love a fantasy!JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0tag:blogger.com,1999:blog-1025702950806059761.post-67501202180109813422014-04-19T16:35:00.003-07:002014-04-19T16:35:50.670-07:00Coming soon to a browser near you!JimmO'Dhttp://www.blogger.com/profile/03068479254360797151noreply@blogger.com0